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For longtime PowerDirector users, here’s a rundown of new feature highlights in version 17, reviewed here. I’ll discuss and evaluate each in the appropriate sections below. This new tool lets you create multiple short clips from long ones with single- or multi-trim.
Powerdirector 16 Versions
For longtime PowerDirector users, here’s a rundown of new feature highlights in version 17, reviewed here. I’ll discuss and evaluate each in the appropriate sections below. This new tool lets you create multiple short clips from long ones with single- or multi-trim. Nested Video.
This lets you combine clips and edits to reuse in projects. Multicam in Video Collage. You can now use synced multicam shoots in video collages. AI art styles. New Text Effects. The text designer lets you add animated fire, electricity, and more to your captions, and you can create buttons with text backgrounds.
Improved Chroma Key. You can now use more than one key color for background replacement. Best Matched Profile. This new tool helps you select the video profile that best suits your video output based on its source clips. Integrated Tutorial Links. When you start to perform complicated actions, the program displays a link that takes you to a video tutorial.
As a refresher, the previous version 16 added a raft of degree capabilities, including stabilization, motion tracking, titles, transitions, and View Designer for cool effects like Little Planet. Animated picture-in-picture templates called Video Collages and automatic audio ducking to lower background sound levels also made their debut in the previous version. Pricing and Installation PowerDirector runs on Windows 7 through Windows 10, with bit versions recommended.
You can try out the software with a day downloadable trial version that adds brand watermarks and doesn’t support 4K. Note that those prices are often discounted. To see exactly which is in each edition, go to CyberLink’s comparison page.
Installing the program takes up nearly a gigabyte of your hard drive, so be sure to use a machine with room to spare. Interface The program’s user interface is about as clear and simple as a program with such a vast number of options can be, but it can still get overwhelming when you’re deep in the weeds of fine-tuning video or audio effects. It’s not as unintimidating as Adobe Premiere Elements , however. Two choices below those include Auto Mode and Editor—all these modes are self-explanatory.
If you don’t need or want all these choices every time you start the program, a simple Always Enter Timeline Mode checkbox is for you. On this welcome screen, you can also choose your video project’s aspect ratio— The PowerDirector editing interface maintains the traditional source and preview split panels on the top, with your track timeline along the whole width of the bottom of the screen.
The storyboard view is more than just clip thumbnails. You can drag transitions between clips, apply effects, and add audio clips without switching to timeline view. I also like the buttons at the top for showing just video, just photos, or just audio in the source panel.
New for Version 17 are buttons that link to video tutorials that pop up in the upper-right corner based on your current activity. Four mode choices line up at the top: Capture, Edit, Produce, and Create Disc. The timeline is easy to customize and navigate, with a button for adding tracks. You’re allowed up to tracks. Vegas Movie Studio limits you to 20 tracks, which is already probably more than most people need, though not enough for high-end projects.
The Edit mode is where you spend most of your time, and you can drag media directly onto its source panel or even onto the timeline. You can tag media and each project retains its own set of content, but you don’t get bins, which bring together all the assets for your project, including transitions and effects, as you do with the pro-level products and Pinnacle Studio.
You can, however, pack project assets into a folder, and use the new Nested Project capability, discussed below. By default, you get three pairs of video and audio tracks with Cyberlink, as well as effects, title, voice, and music tracks. Zooming the timeline in and out is also a snap, either with Ctrl-Mouse wheel or a slider control. Basic Video Editing As with most nonlinear video editing software, PowerDirector lets you join and trim clips on the timeline.
CyberLink has changed the default timeline behavior a bit with this release: Instead of a clip firmly snapping next to an existing clip on the timeline, when you drag one onto the timeline, you’re likely to overlap with the existing clip to the left. You get a tooltip with five options: If you use the Insert button that appears below the source panel when you select a clip, you can get your clip lined up without any fuss.
The Trim tool opened with a scissors icon allows precise control down to the individual frame with two sliders, and the multi-trim tool lets you mark several In and Out points on your clip—a useful tool for cutting out the chaff.
Some professionally trained video editors I know lament, however, that you can’t do a rough trim on a clip before dragging it down into PowerDirector’s project timeline, as you can in Final Cut Pro X and Premiere Pro. The new Precut tool lets you work on source clips before you add them to the timeline. This is how pro editors work, so it’s good to see CyberLink add the capability. In previous versions, you couldn’t do trimming until after you dropped a clip onto the timeline, which left professionally trained editors scratching their heads.
You can either do a simple in-and-out trim to create a single trimmed clip, or use PowerDirector’s wonderful Multi-Trim tool to create multiple Precut clips.
You use PowerDirector’s unique and intuitive selection cursor to split video and delete sections. PowerDirector also makes it easy to fix lighting and color.
You can independently adjust the brightness, contrast, hue, saturation, sharpness, and white balance. The included Color Match option is important for movies shot at different angles with different equipment and lighting. It appears when you have two clips selected. You scrub to the frame in each that you want to match.
The tool could benefit from face detection, as it didn’t match skin tones between clips very well. Color matching is apparently hard to do; when Final Cut Pro X first introduced the feature, it was similarly deficient, later to be greatly improved.
The support for LUTs, or lookup tables, can give your movie a uniform look by applying a color mood like those you see in the cinema—for example, the cool blue look of The Revenant. Unfortunately, CyberLink doesn’t give you much support in actually locating LUTs—you’re pretty much on your own.
Assisted Movie Making One of the best things to come to home video editors in recent years was pioneered by Apple with the Trailers feature of the Mac’s included iMovie app. Adobe recently added a similar tool, Premiere Elements’ Video Story feature. With either of these, you fill templates in with video and photo content that meets the needs of a spot in the production, such as Group shot, close-up, or Action shot.
These are elaborated with transitions and background music that match your chosen theme. PowerDirector has a similar tool, Express Project, which you can enter directly from the program startup panel. Express Project joins another similar tool, the Magic Movie Wizard, which takes you through five steps: You can download nearly 50 Express Projects from DirectorZone. Unlike the similar iMovie tool, PowerDirector requires you to add your own background music—there are no canned scores in the wizard or for Express Projects.
An Express Project only requires two steps: Dragging an Opening, Middle, and Ending onto the timeline, and filling the resulting clip tracks with your media. But it does offer guidance in crafting a digital movie, it is actually more customizable, and the results look pretty cool. This opens a new window that shows templates with your clips on the side. You simply drag and drop the latter into the former, and you get a nifty animated picture in picture.
PowerDirector already had one of the strongest picture-in-picture tools around, but this is an easier way to get a pleasing result. A new way to get to the Video Collage Designer is via the Multicam Designer, which now offers collages and an output for its multi-angle clip syncing.
Unfortunately, when I synced two clips, the extra portion of the clip was still transferred to the collage. The root of this problem is that you can’t trim in the Multicam Designer. Working With Degree Footage When you add a degree clip to your project, PowerDirector pops up a dialog box asking whether you want your output to be or 2D.
If you choose the latter, the View Designer window opens, which let you choose the resulting movie’s point of view. You can move the angle around in this window’s preview in three axes x, y, and z with the mouse pointer. Clicking on up, down, left, and right, arrows alters your point of view, and clicking the center of the arrow control snaps the view to straight on. You can zoom the view, and very usefully, use keyframes to automatically switch from one viewpoint to another.
That last option can take advantage of the Ease In option, which makes the motion more naturally accelerate and decelerate, rather than happening mechanically. This takes degree content and realigns it so that the ground is shaped like a ball that any people in the video are walking around.
Drag on the image downward and you can create the opposite type of world, in which the inhabitants are on the inside of a sphere.
A cool option is to use keyframes to rotate the world smoothly. Stabilization and, remarkably, motion tracking can also be applied to your degree videos. CyberLink has really pushed the envelope with these first-mover features. When I tested stabilization in the last version, I could not get good stabilization results in footage from my Samsung Gear , but when I tried sample shaky footage from CyberLink’s Steven Lien, the feature worked well.
With version 17, the company has added a new Enhanced VR Stabilizer that gives you more controls to adjust the stabilization effect. Motion tracking works about the same as it does in 2D footage, except the selection box changes shape to reflect its position in 3D space. It’s a simple three-step process: You box the object you want to track, run the tracker, and then attach text or graphics to follow it. Lo and behold: It works better than any motion tracking I’ve tested to date.
This program is a combination of efficiency, simplicity and advanced editing capabilities that will all together facilitate your editing operations. This software can not be simply introduced for a beginner or a professional. The program has a wide range of features, including various design tools such as alpha transitions, animated titles, fading tools, rasterization of some parts of the movie, and so on, which allows you to edit the desired video clip anytime you want. And be ready to release. Here you can zoom in some parts of the video, delete some of the frames of the movie. There is no limit to this. You can slow down some parts of the video, wherever you want the movie speed to increase, you can do a few simple things by changing it.
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PowerDirector is the fastest and most capable consumer-level video editing CyberLink PowerDirector 17 Ultimate remains PCMag’s Editors’. PowerDirector Ultimate (v. 13) – box pack – 1 user overview and full product specs on CNET. Top features: ° video support for effective editing- Unique design tools for video formats- True-to-life colour enhancement° video supportEdit your video .